From the play The Meaning of Malar.
| Photo Credit: Special Arrangement

A small, cozy space with minimal lighting, floor-level performance area and props thoughtfully arranged was the unpretentious yet evocative setting of Karpanai Kudirai’s Tamil play, The Meaning of Malar, written and directed by Vedarun, and staged at IDAM, Kodambakkam, Chennai. There were no backdrops or curtains the space felt less like a stage and more like an extension of a living room, inviting the audience into an intimate, almost confessional atmosphere.

From the outset, the design and lighting choices set the tone for a theatrical experience that privileges emotional authenticity and psychological depth over spectacle. And that’s how the viewers were drawn into the drama unfolding in Malar’s life.

The play’s non-linear structure eschewed chronological storytelling, instead wove together moments from Malar’s childhood and late twenties, revealing how past and present coexist in a continuous emotional dialogue. This dramaturgical choice mirrored the fragmented nature of memory and trauma, compelling the audience to actively piece together the narrative while inhabiting the emotional states of the characters.

The absence of scene breaks or interval, created a temporal and spatial continuum. This uninterrupted flow functioned as a metaphor for unresolved emotions and silences that permeated Malar’s relationships.

From Vedarun’s Tamil play ‘The Meaning of Malar’.
| Photo Credit:
Special Arrangement

Malar, portrayed with remarkable subtlety by Snehaa Sesh, is a woman caught in the complex web of her relationships with two men, Kumar (Sadasivam Suryanarayan) and Benjamin (Rajbarath Balamurali). Through these relationships, the play probes the ambiguities of attachment. The interactions of the two men with Malar oscillate between tenderness and tension, reflecting the messy, often contradictory nature of human bonds.

The play’s themes of emotional fragility, miscommunication, and the quest for freedom resonate universally, yet are deeply rooted in Tamil cultural idioms. The symbolic use of Malar (flower) evokes notions of beauty intertwined with impermanence and resilience. With subtle humour, the play speaks raw, balancing moments of levity with unflinching honesty.

Post show, Vedarun shared that he loves reading books on psychology. And one such is Amir Levine’s Attached. “I drew inspiration from it while working on the play”, he said. This influence was evident in the nuanced depiction of relationship dynamics that defined The Meaning of Malar.